Bibliografie

1

Ein ikonographischer Beitrag zu Martino da Udine´s Kupferstich „Trinfo della Luna“. In: Fs. Walter Friedlaender, 1933

2

Untersuchungen zur Iconologie des Cesare Ripa. Dissertation. Privatdruck, Hamburg, 1934.

3

‚The Origin of the Milky Way’ in the National Gallery, The Burlington Magazine, Februar 1938., S. 88-93

4

‘Ricerche intorno all’ Iconologia di Cesare Ripa’, La Bibliofilia, XLI, 1-2, 3, 5-6, 7-8, Florenz, 1939

5

‘Reynolds’ conceptions of Truth’ The Burlington Magazine, December, 1940, S. 195-201

6

‘Two Menelaos and Patroclus replicas in Florence and Joshua Reynolds ‘contribution’, The Art Bulletin, New York-Paris, June, 1946, S. 115-118

7

The Bust of the ‘Dying Alexander’, The Burlington Magazine, August, 1950, S. 231-232

8

Review: H. Gernsheim, ‘Focus in Architecture and Sculpture’, The Burlington Magazine, December, 1950.

9

‘Some notes on the early history of the Medicean Niobides’, Gazette des Beaux-Arts, 41,  New York-Paris, April, 1953, S. 251-264

10

Review: V. Fürst and L. D.’Arcy, “Versailles”, The Burlington Magazine, Mai, 1953.

11

‘Some observations on Pyrrho Liogorio’s drawings of Roman Monuments in Cod. B. XIII. 7 at Naples’, Rendiconti della Pontificia Accademia Romana di Archaelogia, XXVIII, 1952-54, pp. 335-358.

12

‘An unknown drawing for Cavalieri’s Antiquarum Statuarum Urbis Romae’, Gazette des Beaux-Arts, Nr. 45, New York-Paris, Mai-June, 1955, S. 313-320

13

‘Mangudens triumf’, Symbolister, I, Tidskrift  för konstvetenskap, XXX, Alhems Förlag, Malmö, 1957.

14

Pirro Ligorio’s illustrations to Aesop’s Fables, Journal of the Warburg and Courtauld Institutes, XXIV, Nos. 3-4, 1961, pp 327-331.

15

(with Charles Mitchell), Pirro Ligorio’s Roman Antiquities. The Drawings in MS. XII. B. 7. in the National Library in Naples. Studies of the Warburg Institute, Vol. 28, 1963.

16

Hrsg.: Introduction to Re-Print of Cesare Ripa’s Iconologia, Roma, 1603, published by Georg Olms, Hildesheim, 1970..

17

Old Master Drawings
Seattle Art Museum Collection Guide. The Seattle Art Museum. 1980.